RED INK MEDIA / SINGAPORE

DON’T JUST MAKE A VIDEO. MAKE THEM CARE.

Red Ink Media is a Singapore story-first creative and production studio. We help organisations turn messages, people and ideas into films audiences want to watch — whether that means live action, animation or a larger campaign.

Films • Animation • Campaigns • Social Content

Three passengers on a bus in Priority Seat, original film frame with I Love in Transit title
Story, performance and a reason to care.

TRUSTED BY LEADING BRANDS AND INSTITUTIONS

STORIES THAT TRAVEL

GOOD STORIES DON’T JUST GET MADE. THEY GET WATCHED, SHARED AND TALKED ABOUT.

Priority Seat bus passengers in the original film frame

Priority Seat

18.2MViews

Likes
383K
Shares
37K
Comments
6.7K
Two neighbours outside an HDB block in What’s Up My Neighbour

What’s Up My Neighbour

1.15MViews

Likes
20.9K
Shares
2.5K
Comments
1.4K
SPF Myth or Fact original TV drama versus real-life frame

SPF Myth or Fact

381KViews

Likes
5.8K
Shares
840
Comments
2.2K

Different audiences. Different briefs. Same starting point: make the story worth paying attention to.

WHAT CLIENTS SAY

THE FILM MATTERS. SO DOES THE EXPERIENCE OF MAKING IT.

“Eye-opening to see his ability to transform mundane factory workflows and lab works into movie-like scenes that truly accented the key points the brand stood for.”
Creative qualityMatthew Low, Marketing Consultant, Faesol Pte Ltd
“Working with them puts my mind at ease. Knowing we can depend on a great partner like Red Ink Media allows us to confidently recommend their services beyond our team, constantly going back to them for more of our transformational projects.”
Delivery confidenceAllan Cheng, Regional Lead, Human Capital and Organizational Development, Brother International
“Thanks Red Ink Media team for all your hardwork, patience and guidance through the 5 days filming. You guys made the journey so much easier and our team had so much fun on set!!”
On setYeo Loo Feng, Ministry of Social and Family Development

FEATURE-FILM EXPERIENCE

BUILT WITH MOVIE-MAKING INSTINCTS.

Red Ink Media is led by filmmaker Gilbert Chan, whose experience spans six feature films including 23:59 and Ghost Child. We bring the same attention to story, performance, visual language and audience into commercial and institutional work.

Original film poster for 23:59
23:59No.1 Box Office in Singapore
Original film poster for Ghost Child
Ghost Child
Original film poster for 4Love
4Love
Original film poster for S11
S11
Original film poster for Love Matters
Love Matters

RECOGNISED FOR THE WORK

AWARD-WINNING CREATIVE EXPERIENCE.

Our work and filmmakers have been recognised across film, storytelling and creative production.

Original supplied Audience Choice · Toronto-Singapore Film Festival award icon
Original supplied Best Screenplay · Singapore Screenplay Awards award icon
Original supplied Best Script · ASEAN China Short Video Contest award icon
Original supplied Best Director · ASEAN China Short Video Contest award icon
Original supplied Best Visual Effects · ASEAN China Short Video Contest award icon
Original supplied Best Short Film · New York Festivals award icon

THE STORY DECIDES THE METHOD.

Some stories need real people. Some need animation. Some need a combination of live action, 2D, 3D, motion graphics, VFX or newer AI-assisted workflows. We choose the production approach around what your audience needs to see and understand.

MOE Let’s Go GEO animated city plaza with two characters, original frame intact
MOE · Let’s Go GEO · Animation still

THREE WAYS TO WORK WITH RED INK

CHOOSE THE SCALE THAT FITS YOUR STORY.

Start with what you need. If you’re not sure which route fits, tell us the objective and we’ll recommend the approach.

StoryBuilt

From S$5,000

No shoot day required.Animation, existing assets, licensed footage and other visual approaches.

GovTech Comet facial recognition visual with the original Recognized instantly with Biometrics text
GovTech CometVisual product story
EDMI sustainability film city frame with original motion graphics
EDMISustainability film

Best for

Explainers, product stories, service stories and ideas visualised without filming.

Core scope

  • Concept, script and storyboard
  • One main film up to 90 seconds
  • One 15-second cutdown; one primary format
  • Two consolidated revision rounds
DISCUSS STORYBUILT

StoryCaptured

From S$10,000

One shoot day included.Bring your people, workplace or real participants into the story.

SMU IIE student interview in a real workspace, original subtitles and watermark retained
SMU IIEInstitutional brand film
Faesol iLite participants beside production machinery, original subtitles and watermark preserved
Faesol / iLiteReal people and processes

Best for

Corporate stories, interviews, workplace films and brand stories with real people and environments.

Core scope

  • Concept, script and storyboard
  • One shoot day at one client location
  • One main film up to 3 minutes and two cutdowns
  • Two consolidated revision rounds
DISCUSS STORYCAPTURED

StoryScaled

Custom quote

Built around the campaign.Actors, multiple shoot days, multiple films, animation, social versions and larger production needs.

SPF Myth or Fact series still showing TV drama versus real-life action
SPF Myth or FactScripted public communication
Priority Seat bus passengers in the original film still, title retained
Priority SeatNarrative campaign film

Best for

Campaigns and series: multiple films, casting, locations, longer rollouts, live action with animation, horizontal and vertical formats.

Potential scope, tailored to the brief

  • Creative direction, campaign concept and scripts
  • Casting / actors; multiple days and locations
  • Films or episodes; animation and motion graphics
  • Social / vertical versions and campaign adaptations
BUILD A CUSTOM CAMPAIGN

Starting prices apply to the agreed scope. StoryBuilt and StoryCaptured include captions, voiceover and licensed music within the agreed production allowance. Two consolidated feedback rounds are included. Additional versions, languages, licensing, actors, hired locations or production needs are quoted separately. StoryCaptured crew and formats are confirmed in the proposal. Longer runtimes or more complex visual needs are quoted separately. StoryScaled lists possible scope, not guaranteed inclusions. Media buying and advertising spend are excluded.

START A PROJECT

WHAT DO YOU NEED PEOPLE TO CARE ABOUT?

Tell us what you’re trying to communicate. You don’t need to arrive with a finished script or know which production route is right. We can help shape the approach.

Route: Not sure

Other project details Optional

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